Fine Arts

Directed by Mark Hunter. April 16, 17, 18, 23, 24 at 7:30 p.m. Box Office: 895-4293. A witch with an appetite for scientific investigation and a split personality, experimenting on the body of a young (and very conscious) murder victim; the murder victim's psychotic killer, torn between violent impulses and a poetic conscience; a socially reclusive young tranny (changing from a female into a male); the impossibly sexy Brazilian musician who has taken an interest in the transboi; and a manta ray transforming into something human . . . all these characters convene at a warehouse at the end of the world, where DJ Akarui is laying down beats and conducting a rave in which all transformations are possible. Silverman’s extraordinary play is a unique theatrical event of explosive imagination, riveting energy, and penetrating insights.

Directed by Mark Hunter. April 16, 17, 18, 23, 24 at 7:30 p.m. Box Office: 895-4293. A witch with an appetite for scientific investigation and a split personality, experimenting on the body of a young (and very conscious) murder victim; the murder victim's psychotic killer, torn between violent impulses and a poetic conscience; a socially reclusive young tranny (changing from a female into a male); the impossibly sexy Brazilian musician who has taken an interest in the transboi; and a manta ray transforming into something human . . . all these characters convene at a warehouse at the end of the world, where DJ Akarui is laying down beats and conducting a rave in which all transformations are possible. Silverman’s extraordinary play is a unique theatrical event of explosive imagination, riveting energy, and penetrating insights.

Directed by Mark Hunter. April 16, 17, 18, 23, 24 at 7:30 p.m. Box Office: 895-4293. A witch with an appetite for scientific investigation and a split personality, experimenting on the body of a young (and very conscious) murder victim; the murder victim's psychotic killer, torn between violent impulses and a poetic conscience; a socially reclusive young tranny (changing from a female into a male); the impossibly sexy Brazilian musician who has taken an interest in the transboi; and a manta ray transforming into something human . . . all these characters convene at a warehouse at the end of the world, where DJ Akarui is laying down beats and conducting a rave in which all transformations are possible. Silverman’s extraordinary play is a unique theatrical event of explosive imagination, riveting energy, and penetrating insights.